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| A MATTER OF GRAVITY (1976) |
Broadhurst Theatre, New York Premiere: February 2, 1976
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CAST
Dubois: Charlotte Jones
Estate Agent: Robert Moberly
Mrs. Basil: Katharine Hepburn
Nicky: Christopher Reeve
Shatov: Elizabeth Lawrence
Herbert: Paul Harding
Elizabeth: Wanda Bimson
Tom: Daniel Tamm
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CREDITS
Playwright: Enid Bagnold
Presented by: Robert Whitehead, Roger L. Stevens and Konrad Matthaei
Directed by: Noel Willman
Setting by: Ben Edwards
Costumes by: Jane Greenwood
Lighting by: Thomas Skelton
Production Stage Manager: Ben Strobach
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CRITIQUES
"Audiences will come to see Miss Hepburn play rather than the play Miss Hepburn is in. And they will not be disappointed. I have rarely seen Miss Hepburn better even in the movies...her acting is now in the lambent heat of its Indian Summer. Even her stylizations have become style in the certainty of their execution, so her startled and amused gentility, her crisp, ineffably unanswerable way with a cliche - all are unforgettable. Admirers of acting in that grand mannerism, now so easily lost, should see this performance and etch it on their memories."
- Clive Barnes, The New York Times
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COMMENTARY TRACK
"I adored her, but she scared the pants off me most of the time. On a good day, though, I could stand up to her, which I think she respected. I believe I was fairly close to what a child or grandchild might have been to her. A gossip column in the Boston papers even suggested that we were having an affair. She was sixty-seven and I was twenty-two, but I thought that was quite an honour. She was always a fantasy figure to me. When we were rehearsing in New York, I would go to see her old films, like
Alice Adams,
Bringing Up Baby, or
Holiday, at art houses around the city. As I watched her on the screen, I knew that if I'd been an eligible bachelor back in the thirties, I would have done anything to meet her. Then at work the next morning she was sixty-seven again, coping with Parkinson's, sometimes crotchety, and always unpredictable."
- Christopher Reeve, Still Me, 1998
"I have such wonderful memories of what she could do on stage. In Act 2 of A Matter of Gravity, Nicky has decided to marry a young girl who's half black and half white. They plan to move to Jamaica; the grandmother thinks he's throwing his life away. The two of them are alone, just before he leaves. Then she says, 'You are my last piece of magic. I have so loved my portrait in your heart.' Nine actresses out of ten would say that directly to the grandson, with tenderness and poignancy. Hepburn played it straight out front, never looking at me, to underscore her disappointment and to indicate she no longer respects him. There was nothing left for me to do; I had to walk off in silence. At that point, at most performances, she broke down, suddenly realizing that wasn't how she wanted it to end. Sometimes she would move upstage toward the door wanting to call Nicky back, to embrace him one last time. But it was too late. It was a completely original and surprising way to play the scene."
- Christopher Reeve, Still Me, 1998
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Christopher Reeve, Katharine Hepburn

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Christopher Reeve, Katharine Hepburn

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Christopher Reeve, Katharine Hepburn
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